Hi, I’m Jayne,

I’m a textile artist based in the Pyrenees Region of Victoria, on Dja Dja Wurrung Country. 

Working with recycled and natural fibres on a loom, I bring my photographer’s eye for light, texture and composition to weaving. 

My work balances beauty with disruption, exploring memory, environment and contemporary life.

 

CURRENT Exhibitions

BOUND

 

BOUND -2026 Ballarat Craft + Design Week

Group exhibition by Creative City Ballarat

 
Mining Exchange, Ballarat Victoria
 
2nd, 3rd, 9th, 10th May 2026

Currently on show

Cucoloris – No one’s lost who finds the moon, 2026

Collaborative work with Tiffany Titshall. 

A cucoloris brings light to life, using patterns to cast shadow. In our installation, Jayne’s woven textile – made from thread and paper discards – becomes the cucoloris, letting moonlight fall through treetops, down textured branches, and onto Tiffany’s deep indigo wash and hand-drawn charcoal box gum forest.

Bound panels sway beneath the weave, creating a path of light, shadow, and texture that sets the viewer in the moment, grounded to earth, memory, and place.

Step inside, pocket your phone, walk, listen, remember.

Stop. Slow down. Be.

TeXTILE PalETTE

 
 2026 Textile Palette – STUFF: Purpose, Profit and Peril

Group exhibition by Textile Palette
  
Esmond Gallery, Clunes Victoria 
 
daily until 3rd May 2026

Currently on show

Per and Poly Fluoro Alkyl Substances, 2026
 
Blue Bailing Twine, a ubiquitous agricultural material designed for binding and containment, is woven with cotton and salvaged iron fencing wire. Each strand is handwoven to echo the spiralling structure of DNA, connecting industrial material to biological form.
 
Created through bilateral movement and the meditative rhythm of weaving, the repetitive process becomes a physical contemplation of how synthetic substances move through environments and enter living systems.
 
PFAS, a group of human-made chemicals known for their persistence, underpin the conceptual framework. Like plastic twine, these “forever chemicals” are pervasive, resistant to breakdown, and remain long after their intended use.
 
The work considers the impact of chemical contamination on the environment and within our bodies, questioning the repercussions when profit is prioritised over people. It asks when materials designed for utility become harmful, and who is held accountable.
 
The surface may appear ordered, even beautiful, yet it holds tension.  Embedded, ongoing, and present within the material world.
 

FUTURE Exhibitions

RAMP SPACE

MAPPING TRUTH
 
 A collection of woven works by Jayne Newgreen
 
 
Old Fire Station – 1 Neill Street Maryborough, Victoria
 
Opening: 2pm Saturday 15 November 2026 (TBC)
 
12 Nov 2026 – 7 Feb 2027
Mapping Truth is a collection of woven works that explore our connections to the places we call home, the landscapes we travel through, and the locations we carry in memory.
 
 
Jayne Newgreen lives and works in the Pyrenees Shire and has deep family ties to Maryborough. Using a loom, she has deconstructed and rewoven old paper maps, combining paper yarn with found fibres.
 
 
From a distance, the works appear as rhythmic, textured surfaces; up close, fragments of familiar locations around Maryborough begin to emerge, inviting viewers to reflect on their own relationship to place.
 

Past Exhibitions

Naarm Textile Biennale

 

SOCIAL FABRIC – 2025

Group exhibition by Naarm Textile Collective

 
Forty Five Downstairs – 45 Flinders Lane, Melbourne
 
30 September – 25 October 2025

Icons I & II 

Woven denim, cotton silk 

73 x 130 x 2cm $660 each 

(Currently for sale at EXIT Retail Ballarat

In ICONS I & II, Jayne Newgreen explores the intersection of textiles, music, and social connection. Hand-cut discarded denim is woven into a hand-painted indigo warp. Manipulating the continuous length of denim to reveal the front and reverse sides Jayne creates tonal shifts that shape the likenesses, of cultural figures: Nick Cave and Kylie Minogue.

The work reflects on music as a unifying force – a powerful medium that dissolves boundaries and brings people together in shared experience. Cave and Minogue, though stylistically worlds apart once came together in an unlikely duet. Both transcend genre, generation, and geography, weaving a social fabric of listeners who feel profoundly connected through sound. Denim itself is a cultural icon: a fabric of workwear, rebellion, and fashion that, like music, provides a means of identity and expression.

Through the slow, deliberate labour of weaving, Jayne highlights the ways textiles and music alike create spaces of belonging, connection, and collective resonance. In ICONS I & II, the fabric of cloth and the fabric of culture converge, honouring the power of art in sound and fibre to weave us together.

Rewired Threads

VHS Video Tape, Wire Cables 155 x 64 x 11cm $440

A woven reflection on technology, memory, and connection. 

Using old video tape as warp and computer cabling salvaged from my school’s “computer lab” over 25 years ago as weft, this piece considers the evolution of how we share stories and information. 

The materials, once cutting-edge, now obsolete, hold traces of a different digital era – one that shaped how we learned, communicated, and connected. 

Though the mediums have changed, the underlying need for human connection remains constant. This work is both a tribute to past technologies and a reminder that it is the people, not the wires, who matter most.

Celebration of SAORI

 
 CELEBRATION OF SAORI – 2025

Group exhibition by Dyeing To Weave
 
Esmond Gallery – Clunes Victoria 
 
7th June – 22nd June 2025

Mapping Truth Melbourne

Paper, $220 [SOLD]

A woven exploration of place and perception, using reconstructed maps. As a visual thinker, I experience the world through imagery – mentally mapping movement, memory, and emotion.

Cartography has always fascinated me: the precision, the structure, the illusion of certainty. Yet maps, while seemingly reliable, often fail to capture the lived truth of a place – what it means to belong, to remember, to feel rooted. In this piece, I disrupt and reweave those rigid boundaries, creating a new geography that reflects my internal landscapes, where memory and meaning override fixed coordinates.

Japan Blue Three Ways

Various indigo dyed threads, silk. $1200

(Currently for sale at EXIT Retail Ballarat

A playful exploration of weaving without intent -intuitive, experimental, and full of curiosity.

The warp was hand-dyed in Japan during a very special trip, making it deeply personal. I later wove the piece at one of Prue Simmons’ beautiful Immersive Retreats in Hepburn Springs, where the calm of the space allowed the process to unfold naturally.

I let the deep blue silk weft meander through the warp, responding to texture, colour, and flow. There was no plan – just presence. Each thread holds a memory of Japan, a moment of freedom, and the quiet pleasure of simply creating

Japan Blue Travelling Threads

Mixed Fibre (2024), $440 

(Currently for sale at EXIT Retail Ballarat

Reflections on meeting my weaving mentors mentor. Contemplation of her strength, humility, generosity and act of creative living which flows on to many including myself.

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EMAIL | jayne@jaynenewgreen.com.au